Sorry to bother you torrent download reddit

Goofs After meeting Lift, Cash wakes in his apartment. He sits on the bed and raises his left hand to his temple. The camera angle changes and it is his right arm that is raised. Quotes Sergio : Hey, Cash. Crazy credits There's a mid-credits scene. User reviews Review. Top review. A sharp satire that runs a little too long and takes a bizarre left-turn that will alienate many. A paean to the proletariat. A pro-union battle cry. An ideological evisceration of late capitalism. A deconstruction of corporate greed and the concomitant commercialisation of self-worth necessary to succeed.

A critique of identity politics. An allegory of institutional racism in big business. A lampooning of Silicon Valley bro culture. Very much in the key of absurdist fiction such as Dino Buzzati 's Il deserto dei Tartari and Ralph Ellison 's Invisible Man , as well as race-conscious satirical cinema such as Putney Swope and Watermelon Man , the film draws more direct inspiration from Johann Wolfgang von Goethe's Faust c.

Dealing with the obstacles facing African Americans in a white-dominated corporate milieu, and positing that the experience of workers is determined by both labour conditions and race, the film examines labour relations, wage issues, worker solidarity, unionism, mass media, and the dangers of betraying oneself and choosing corporate advancement over friendships, relationships, and personal integrity. Although it's a beat or two too long, and although the spectacularly bizarre left-turn at the end of the second act will surely alienate a lot of viewers, the deconstruction and comic appropriation of code-switching results in a film that is constantly inventive, highly confrontational, and extremely funny.

Set in Oakland, California in an "alternate present", the company WorryFree offers food and lodging in exchange for a lifetime labour contract with no wages, a practice which the Supreme Court has deemed legal and not equivalent to slavery. Standing against WorryFree is the radical group "Left Eye", who organise protests and vandalise WorryFree's billboards. Meanwhile, Cash Green LaKeith Stanfield is a telemarketer working for RegalView, who, upon the advice of a veteran co-worker Danny Glover , discovers his "white voice" and rises to the top of the company's food chain.

Gradually, however, he learns that RegalView is selling slave labour to WorryFree. However, Cash then makes a discovery that changes everything, not just for himself, but potentially for all of humanity.

At its heart, Sorry to Bother is an anti-corporate, proletarian rally cry, something with which Riley has been engaged for decades as lead vocalist for The Coup and Sweet Sweeper Social Club. However, unlike the recent satire Assassination Nation , Sorry to Bother You is not especially interested in politics per se, certainly not in the explicit sense of films such as Stachka , Medium Cool , or Bulworth This is not to say that the film ignores politics completely, rather it approaches the subject obliquely.

For example, the country's most popular TV show, I Got the S--t Kicked Out of Me, involves people being violently assaulted by family and friends and then dunked in a vat of faeces, with Riley providing little to no contextualisation think It's Not My Problem!

Nemeth catchphrase, "I'd buy that for a dollar", is used as a one-size-fits-all response to every situation. This mindless consumption of meaningless and morally questionable content indicates the passivity of the masses, their critical faculties either dormant or absent entirely an inverse verfremdungseffekt, if you will.

Clips of the show feature prominently throughout the film, allowing Riley to depict a milieu where popular entertainment has reached an unimaginable low. Another example of a pseudo-political aspect of the film are the ubiquitous billboards and TV commercials advertising WorryFree, suggesting the corruption or co-opting of mass media. Riley's focus is very much on economic issues, with a lot of the humour derived from pecuniary-based situations.

One of the easiest ways to parse the film is to approach it as a parable about selling out, equal parts polemic and acknowledgement that it's next to impossible not to sell out in some way.

Indeed, the last act of the film explicitly deals with the literal dehumanisation of the workforce and I do mean "literal". RegalView and WorryFree exist in an economic system built upon impoverishing the many for the benefit of the few, with Riley attempting to expose the importance of a poverty line for the continued functioning of late capitalism.

Within such a system, he suggests, it is exceptionally difficult for African Americans to succeed unless they are willing to code-switch. In this sense, although the concept of "white voice" does have a practical function within the narrative, its most salient characteristic is as an object of allegorical satire, a hyperbolic caricature of what African Americans need to do to survive in the Caucasian bro-culture corporate ranks of Silicon Valley; they must literally relinquish part of the self and pretend to be something Other.

Aesthetically, the film adopts a visual style obviously influenced by Michel Gondry, and, to a lesser extent, Terry Gilliam. An especially interesting aesthetic device, as anyone who has seen the trailer can attest, is how white voice is handled - rather than having the actors simply speak in a different voice, Riley instead has the white actors' voices overdubbed; when Cash's friend Salvador Jermaine Fowler first hears Cash's white voice, he literally tells him "you sound overdubbed".

However, the lip syncing is, presumably intentionally, far from perfect, with the voice not quite aligning with the actors' mouth movements. This throws the scenes "off" ever so slightly, creating an extra layer of surreality, and highlighting just how absurd the whole thing is, drawing attention to the lengths these people have to go to achieve real success. The fact that our culture places such value on "correct" intonation is, in and of itself, absurd, like an extreme version of the phone voice that pretty much everyone has, and by failing to perfectly sync white voice to black actor, Riley is able to deconstruct and draw attention to this absurdity.

The film's other big aesthetic innovation is having Cash plunge not especially gracefully into the living room of the people he calls, desk and all.

I wonder too, who can fill the gap of his high quality releases that include the extras? Apr 25, , pm WW3hasstarted Wrote: I wonder too, who can fill the gap of his high quality releases that include the extras?

For a while, it looked like Sartre7 might step in. But recently he's been omitting the extras, so As for the gentleman above - whose name rhymes very much with his true vocation - he has no idea what extras are Von Richt, how'bout a Second Coming?

Apr 18, , am RodneyYouPlonker Wrote: I'm actually glad now and now that Demonoid is finally dead and gone, Demonoid won't ever be returning again, I'm glad that I don't have to look at anymore Grym torrents on there and see that Damn awful spammed description rubbish that he was always posting on there. Vonricht put out a lot of good content. No need to be negative and weird tbh. Jun 26, , am TrumpIsALoser Wrote: Apr 18, , am RodneyYouPlonker Wrote: I'm actually glad now and now that Demonoid is finally dead and gone, Demonoid won't ever be returning again, I'm glad that I don't have to look at anymore Grym torrents on there and see that Damn awful spammed description rubbish that he was always posting on there.

It seems that most of vonRicht's torrents are all dead now and it doesn't surprise me. Really he should have listened to me when I offered him some advice on how to make his encodes but he wouldn't listen. I told him several times about how bad it is to not crop his encodes but he wouldn't have it and wouldn't listen and that was his downfall really.

No wonder his stuff is all dead now that's what happens when people don't listen. It's not rocket science about cropping away black bars it's a well known fact on sites like reddit where they talk about this. All this information is available on the net, you just gotta find it that's all.

That's the thing really people like vonRicht don't do the proper research first before they go ahead and start encoding hundreds of movies and then after doing all those wonder why people are trying to explain to them that their methods are incorrect. Fair enough all this extras and all this business but the truth is that many people don't bother with extras and most just want to enjoy the movie and don't care about behind the scenes.

Remembered your password? Sign In. This is what will appear next to your ratings and reviews. I don't know, create one for me. All Reviews Streaming 2 Providers. Full review. Vulture Sorry to Bother You is a house party of a movie, some rooms more lively than others, some you wish you could spend more time in, some downright unforgettable in the best way. Variety It's a hugely ambitious project that ultimately caves under the weight of its own artistic intentions, but that shouldn't stop this revolutionary statement from making its mark.

The Guardian Rapper Boots Riley's first feature film shows a great deal of spirit and promise, and further secures Lakeith Stanfield as the one of the key performers of the moment. Screen Daily Sorry to Bother You is ambitious and outrageous, but as much as Stanfield is a likeably hapless hero like an African American version of Brazil's Sam Lowry , the film struggles to give its central characters authentic wants and desires.